Y’see, The Strip Club Will Just Not Do For Your Overlords

Gotta love artists duking it out over a piece. This smells to me like one artist getting some column innches on the back of another’s name, but I could be wrong. I’ll say this, though, this is more real than wrasstlin’ folks.

Well, here’s the scenario: influentia performance artist Marina Abramovic was tapped to create a piece for a cash-begging gala at the Museum of Contemporary Art in Los Angeles. You aren’t a real artist until rich people say you are, and they have said for a long time Ms. Abramovic is. The performance she plans to put on this evening is known to us, thanks to Yvonne Rainer, another artist. Ms. Rainer singlehandedly created a controversy with a letter of protest:

I am writing to protest the “entertainment” about to be provided by Marina Abramovic at the upcoming donor gala at the Museum of Contemporary Art. It has come to my attention that a number of young people will be ensconced under the diners’ tables on lazy Susans and also be required to display their nude bodies under fake skeletons.

This description is reminiscent of “Salo,” Pasolini’s controversial film of 1975 that dealt with sadism and sexual abuse of a group of adolescents at the hands of a bunch of post-war fascists. Reluctant as I am to dignify Abramovic by mentioning Pasolini in the same breath, the latter at least had a socially credible justification tied to the cause of anti-fascism. Abramovic and MOCA have no such credibility, only a flimsy personal rationale about eye contact. Subjecting her performers to public humiliation at the hands of a bunch of frolicking donors is yet another example of the Museum’s callousness and greed and Ms Abramovic’s obliviousness to differences in context and some of the implications of transposing her own powerful performances to the bodies of others. An exhibition is one thing — this is not a critique of Abramovic’s work in general — but titillation for wealthy donor/diners as a means of raising money is another.

Ms Abramovic is so wedded to her original vision that she – and by extension, the Museum director and curators — doesn’t see the egregious associations for the performers, who, though willing, will be exploited nonetheless. Their desperate voluntarism says something about the generally exploitative conditions of the art world such that people are willing to become decorative table ornaments installed by a celebrity artist in the hopes of somehow breaking into the show biz themselves. And at sub-minimal wages for the performers, the event is economic exploitation as well, verging on criminality.”

This grotesque spectacle promises to be truly embarrassing. We the undersigned wish to express our dismay that an institution that we have supported can stoop to such degrading methods of fund raising. Can other institutions be far behind? Must we re-name MOCA “MODFR” or the Museum of Degenerate Fund Raising?

Sincerely,
Yvonne Rainer
Douglas Crimp
taisha paggett

With that lurid description and righteous denunciation of the piece the pubication of which is surely guaranteed to bring out the thrill-seeking ultra rich. (Artist, take note. Coordinate conflict in public like rappers trading diss tracks. It’s good for business. If you can get the LA Times and Artinfo.com to help stir the turds, so much the better.) I can see a statement here on the exploitation of artists and the poor, but it may just be my bias showing.

This is LA, so all that is needed is a Lady to go Gaga at the event:

Someone who attended the audition write to Yvonne Rainer about it, but I can’t find attribution. Remember folks, get your name in there:

So, I spent an hour today at the Abromovic [sic] audition at MOCA. The deal is that the artists/dancers she will hire will spend 3(!) hours under the dining tables of the donor gala with their heads protruding from the tables. They will be sitting on lazy susans under the table and slowly rotating and making eye contact with the donors/diners. Of course we were warned that we will not be able to leave to pee, etc. That the diners may try to feed us, give us drinks, fondle us under the table, etc but will be warned not to. Whatever happens, we are to remain in performance mode and unaffected. What the fuck?! And the chosen performers are expected to be there all day friday and saturday. The hours probably total 15 or more and the pay is $150 (plus a MOCA one year membership!!!). I am utterly appalled. This should be illegal. There is another audition for another role where the performers lie naked on tables with fake skeletons on them. Since I cannot stomach being a turning, severed head while people get drunk in front of me, I am seriously considering taking a naked role and performing an intervention at the gala celebration where I use my body as a surface to communicate the fact that I worked x number of hours for $150. I swear I need to do something…to speak for my community of artists who are being taken advantage of by major museums. sick shit.  God, we need a revolution.

As a wise man once wrote, Rome wasn’t burned in a day. True enough, but any time is good for fiddling.

http://www.artinfo.com/news/story/750038/yvonne-rainer-denounces-marina-abramovics-planned-moca-gala-performance-as-grotesque
http://theperformanceclub.org/2011/11/yvonne-rainer-douglas-crimp-and-taisha-paggett-blast-marina-abramovic-and-moca-la/
http://latimesblogs.latimes.com/culturemonster/2011/11/yvonne-rainer-protests-marina-abramovic-plans-for-saturday-moca-gala.html
http://www.galleristny.com/2011/10/marina-abramovic-recruits-moca-la-gala-performers-through-facebook/
http://fora.tv/2010/11/12/LIVE_from_the_NYPL_Antonio_Damasio_and_Marina_Abramovic

http://animalnewyork.com/2011/11/marina-abramovics-allegedly-kinky-criminal-moca-gala/

Is It Art? Is IT Legal? Is It, Bugger…

Industrial Dissolution

The US stock market was on the receiving end of a real RIMM job yesterday, with the maker of the Blackberry taking a bath with a 25% drop. Pandora, the day after their IPO dipped below their initial $16 stock (shock) value and Morningstar, who usually are content with being the megaphone for the economic propaganda emanating from our owners and masters state that their real value is $5. thus is just the latest in a strange, fractal synechdoche bit of moving sculpture/ performance piece/ electronic installation piece called the market.

Don’t worry, as of noon taday, US markets are up an average of 0.40%. This is on the back of collective wisdom assuring us that Greece will greaze up for the international banks so they can complete the job on them and turn their land and infrastructure into property held by the banks.

Dry stuff for a creature such as this kkoagublogg, dealing as we do with music and art, so here’s a video for some entertainment comfort to cleanse the palate:

Vincent Van Gogh had a hard life, selling merely one of his paintings in his lifetime and that to his brother. His name is now cloaked in glory, with works ending up as wealthy art collector concubines and images of same gracing postcards and posters worldwide. The people and institutions involved in the above shenanigans are the same who decide what is declared important in art, what music is to be a real economic commodity. Also, the law does not apply to them. These are the people who are currently buying and selling Warhol art, in a pass-around similar to the collecting and trading of pokemon cards. This could be a Warhol bubble. Hedge fund managers are in the dual role of Pangenitor and Panphage for all art and culture just as they are for public companies and nation states.

The Artistic Impulse - A cure for it is imminent

Does anything artists/writers/musicians do matter in the wider culture? Did it ever? Most of the creative types I know prefer to ignore such matters, but this may be a defensive posture in a world that does everything it can to discourage them from the path they’re on. And the ones rewarded end up effectively neutralized. Success in the outlying genres is a nice middle-management descent into stupor at best, or a terrible burden on top of the dayjob and what’s left for home life.

There have been multiple declarations of ART WAR in the last few years, but things rarely update after the manifesto is posted, usually on a free blog platform. Hey, we did that! Well, not declare ART WAR, but post a manifestooo right here. We may be developing more music, now that we broke it, or something entirely different. The process is the product and the conversation will determine what, how where with the who being every living and dead creature…

Trailer for the documentary “What is ART? Inside the Mind of the Artist as They Speak the Truth” by Steven Johnson Leyba featuring H.R.Giger, Genesis P-Orridge, Howard Bloom, Joe Coleman, Richard Metzger, David J, Mark Bode and more answer the difficult questions, what is Art?what is TRUE ART?, what is the difference between art and entertainment?, what is more important the artist or the art? Is art important?  

It’s kind of a bourgeois thing to sit and speculate on w(h)ither art?, declare this form or that form dead, and debating back and forth to estimate the time of death. Hey, it’s all dead and in ruins along with the future, literacy and quite likely the industry currently eating up your time in exchange for the means and permission to stay alive for your natural span and do so in sheltered accomodations, owned or rented. The future is here, the future once promised is dead, long live the future, dead music and all.

Audio addenda:

Doc Hammer @ Dragoncon mp3

Fiction in the Age of Inequality mp3

Textual etceterata:

http://observatory.designobserver.com/feature/make-do/27998/0

http://www.viceland.com/blogs/en/2011/04/04/russias-art-war-an-interview-with-voina/

http://blogs.wsj.com/marketbeat/2011/06/17/research-in-motion-a-permabull-bails/

http://www.guardian.co.uk/books/booksblog/2011/jun/17/hauntology-critical

http://www.guardian.co.uk/books/2008/feb/16/featuresreviews.guardianreview17?INTCMP=SRCHpsychogeography

http://www.rollingstone.com/politics/news/why-isnt-wall-street-in-jail-20110216

http://www.ibtimes.com/articles/164268/20110616/pandora-ipo-analysts-point-to-5-after-shares-drop.htm

Freedom

A free-flowing, off kilter image that drew itself. All the kkoagulaa images are to be remixed, refluxored, painted over and gathered.

kkoagulaa ikkonografikkaa – Slange




Alongside the audio skketches and more refined aural manipulations, we are working visually, making the process one of fluid creation. Images work off sounds, words off imagery becoming ever more prolix and profuse, as you soon shall see, and music is again inspired from the other aspects.

last_book_project

_last_book_project_ I was reminded and must give credit. A project that most certainly was an inspiration.

The true authors of this book are the ones who partake of the moments
of it's experience, myself as I write and assemble the
words,images,sounds, and artifacts involved, and you as you
rewrite and discover thier potential to create an enviroment.

- Anti-Copyright/ Plagarite 1993, Mediakaos

http://www.etext.org/Zines/ASCII/last_book_project